The theme for JW Anderson Resort 26 lookbook is curation. To expand further, this collection’s principle centers on being a prelude to new transformations.

The art of curation is a profoundly personal, deeply methodical action that stems from personal videos, aesthetic leanings, and individual cultural paths—and employs the idea of tidbits and items matching, with most not, woven together to form a distinctive story. Consider the Resort 26 lookbook to be a contemporary console of curiosities.

JW Anderson reimagines the house’s logo, which features a slimmed-down look with a more pronounced serif print to coordinate with the new store concept, visible on jeans (made in Japan) and T-shirts. Also, historic silk damask fabric woven in England, Scottish knits, and Irish linen exemplify the new narrative of the house: the power of craft and local making is at the core of this new chapter of JW Anderson, marking a unique moment in the brand’s story.

The Resort 26 lookbook showcases Anderson’s tight-knit circle of collaborators, friends, and acquaintances, which reflects the advancement of Anderson and his eponymous brand.

Beyond this assemblage, Anderson discovers expression through various objects: re-editions of Charles Rennie Mackintosh’s lamps and stools in Scottish oak, Jason Mosseri’s Hope Spring Chairs, ceramics by Akiko Hirai, hand-picked books and antique gardening tools, Lucie Rie mugs, handmade Murano glassware, Welsh blankets, hand-forged nails, Houghton Hall Estate honey and coffee-flavoured tea from Postcard Teas, and much more. 

Finally, architects Sanchez Benton developed the store concept and brought the new JW Anderson essence to life in an atmosphere that is both enveloping and familiar; an amalgamation of warm materials and colors embodying a feeling of the handmade and beautifully crafted. 

Well done, Anderson.